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Consoles:
Neve 8078, 80 channels of Neve 31105 mic pre/eq, 32 ch Tape Monitor Modules, 80 large GML faders, 7 large GML group faders, 16 small GML monitor faders

SSL 4000 E/G Input with 40 inputs (the preferred Black series EQ) and (four) Stereo Modules, G Series Computer, G+ Software and Total Recall.

Multi Track Tape Decks and Synchronizers:
Studer A827-24 track analog recorder with Dolby SR noise reduction system and Timeline Microlynx synchronizer, ATR 102 2 track 1/2” analog recorder, ProTools HD III 192's with 48 in 48 out and Apogee Big Ben Clock Source, ProTools HD III 192's with 32 in and 48 out and Digidesign's Sync Module, ProTools HD III 192's with 24 in and 24 out and Digidesign's Sync Module. ProTools HD III 192 with 8 in and 8 out. (two) Mac G5 Dual 2 Ghz 1.5 Gb DDR SD Ram with Mac OSX Tiger, Mac G5 Dual 2.3 Ghz - 1.5 Gb DDR SD Ram with Mac OSX Tiger, Mac G4 Dual 1.25 Ghz - 2 Mb L3 per processor 1.75 Gb DDR SD Ram with Mac OSX Tiger, (three) Mac 23" Cinema Displays, and many plug ins.

CD, Hard Disk Recorders, DAT’s and Cassettes:
(Two) Alesis ML 9600 Master Disk Recorders, Denon DN-C635 CD/MP3 player, Pioneer D-9601 96k DAT, (three) Panasonic SV 3500 DAT, HHD CD Recorder.

Neve Mic PreAmps/EQ and Compressor:
(Four) Neve 1073's, (four) Neve 1084's, (two) Neve 1081's, Neve 31105, (four) custom Mercenary Audio Neve 1073's mic pre’s with DI’s, Neve 2254 E Compressor, Neve 33609 Stereo Compressor/Limiter, Neve Masterpiece Discrete Mastering system.

Focusrite Mic Pre:
(eight) racked Focusrite ISA 85110 Mic Pre Eq's, (two) ch Focusrite ISA 115HD mic pre/EQ

Manley:
(one) Manley Mastering Variable MU T-Bar Modification and M-S Mod., (two) Variable MU Compressor/ Limiter, Manley Massive Passive Stereo Mastering Eq.

Pultec:
(five) Pultec EQP1A3 Tube Program Eq, (three) Pultec EQH2 Tube Program Eq, Pultec MH-4 mixer

George Massenburg Lab:
(Two) 8200 Parametric Stereo EQ

Spectra Sonics:
1100 Mic pre Mixer

API:
(Two) API 550 A EQ, (two) API 550 B EQ, (two) 554 EQ, (two) 553 EQ, 560 Graphic (10 band), (twelve) API 212 mic pre’s, (one) Brent Averill API mic pre/Di.

Lexicon:
(three) Lexicon 480-L, (two) Lexicon PCM 42, Lexicon 200 Digital Reverb, Lexicon PCM 70, Lexicon Super Prime Time.

Eventide:
Eventide H8000 Ultra Harmonizer, Eventide Orville DSP, Eventide DSP 4000, Eventide H3000S, Eventide H3000 Ultra Harmonizer.

AMS:
DMX 15-80 Delay, RMX 16 Reverb

TC Electronics:
M6000 with four machines analog and digital in and outs, M5000 with two machines and digital I/O, (two) TC 2290 delay with fast trigger and 8 second sampling, TC DB Max Mastering Processor.

Empirical Labs:
(four) Distressors with British Modes, Fatso Jr. Stereo Compressor

Drawmer:
(Two) DS201 gates, M500 Dynamics Processor, Drawmer Dual Auto Compressor

Teletronix:
(four) LA 2A Level Amplifier

UREI:
(Four) 1176's (blackface), 1178 Stereo Compressor, (blackface) LA 3A’s Dual Compressor

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